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Haha nice. That’s a damn good deal to be fair, cos if not confused then 1996 was more or less the peak of their career, so not like it was an early one where they would be cheaper.
I always hear of the Knebworth place and understand it’s pretty famous so I suppose that should be a clue that they were big then. Cos assuming it’s a big area (field if I’m not mistaken…).
£250 a ticket is pretty crazy. That’s gotta be close to a weekend ticket at Reading and Leeds I would think and you’d see loads of big bands there for that price, including the camping.
Well they definitely made significantly more than they do from Spotify cos Spotify is so cheap for the end user that they can’t possibly be paying the bands much of anything at all.
Of course the record companies would take a negotiated slice which I should imagine would be larger for the first album but probably the band can negotiate better terms for the second album if the first is popular. They wouldn’t agree to a contract for a stupidly low amount at least not for consecutive albums when they gain popularity and therefore bargaining power.
But even 100% of Spotify proceeds is shitty. 100% of fuck all is still fuck all as they say. Physical albums always made a much larger “pie” to start with. So everyone’s share is much more generous.
I’m talking like the I know the music industry and shit lol but I’m just making most of this up or repeating it from other people’s comments I’ve seen before about how it works but I’m pretty sure this is more or less accurate.