I think the biggest issue with ENT is probably the sexualization of T’Pol, the culmination of a nasty habit in Berman Trek.

I could tune out 7’s catsuit because she was otherwise well-written and the good plotlines outnumbered the bad, but it feels like at least 75% of all T’Pol stories were of the horny Berman type, to the detriment of her character.

s/MP3s/FLACs/, but otherwise, I agree.

Drive space isn’t scarce these days, so I think keeping a lossless copy somewhere is good, if just to compress the audio for a device with less storage.

2 things:

1. A lot of artists, you can pay money through Bandcamp or the artist’s store to get their music legitimately (and in lossless format, if you care about that kind of thing), and they often get a decent chunk of that money, especially when it comes to indie labels and self-published people.
2. Why listen to (relatively) crappy YouTube audio when you can just get a FLAC or high bitrate MP3 off SoulSeek or simit?

At least in the objective legal sense, it very much is in the eyes of the YouTube terms of service and the law of most jurisdictions with strong copyright protections.

There is a legal distinction between streaming on YouTube (normal TOS-compliant use) and downloading the video as a whole through a 3rd party tool (circumvention of copyright protection, and YouTube gets no ad revenue with the download), which is usage outside the TOS.

Now, I don’t really give a darn about following US* copyright law for a megacorporation’s sake¹ and have gone ahead and downloaded from YouTube, but it’s still piracy in the legal sense. This is not intended as a criticism of your actions, just a legal nitpick.

*Obviously, not everyone here is American (good riddance); this is just my personal experience. 1: Especially considering Google’s breaking it all the time with their ML models in my opinion.

I second this, but with a few things I wish I would have known:

1. Before you hope on SoulSeek (with an application like Nicotine+), please study up on the etiquette - downloading someone’s shared files without sharing any files that they can choose to download for their collection is called leeching, and while some people don’t really care, a lot of SoulSeek users will get really angry if you do this because they’re giving you their internet bandwidth for nothing in return.
2. To share files, you have to port-forward; be sure to check your ISP’s terms of service. I hear that as long as you’re not using a huge amount of bandwidth, even stricter ISPs can be pretty lax on enforcing their anti-p2p rules, so you may be able to get away with the risk of breaking the terms of service. However, to truly reduce the risk, you should probably use a VPN.

Of course, there’s a whole other ethics of piracy rant I have, but I’d rather not pull it out right now. The main time I used SoulSeek was to download a rip of a rare TMBG CD (like, not a single copy on Discogs and only 1 on eBay).

Yes, but these are my two thoughts:

1. That’s basically just piracy, and my feelings are that while sometimes it’s ethical*, a lot of musical artists have made a good faith attempt to allow you to acquire it in a legal, DRM-free format at a reasonable price, meaning in a lot of cases it’s not ethical, especiallyf with streaming basically eliminating record sale revenue and tour profit margins getting thinner and thinner.¹
2. When I want to pirate, I would at least do it right; why extract lossy audio from YouTube with yt-dlp when you can easily get a lossless FLAC on SoulSeek or another peer-to-peer network?

*: if the media isn’t easily legally accessible, if it’s stuck under a bad corporation, and fair use like making an FMV. I think it’s much more ethical to pirate film and television, as if you pay for a film (whether a subscription or a Blu-Ray), it’s often just going to go to some ultra-rick executive who had nothing to do with the talented people who worked on the film. Also, DRM makes streaming an inferior experience to just opening a video file. Music is a completely different game, especially with the proliferation of indie labels and self-publishing.

1: Of course, if the artist is some multi-millionaire or billionaire artist, then go ahead.

Honestly, while I still use Apple Music for some things (I don’t like Apple, but I’m unfortunately stuck on it right now), I’m a big fan of building up a collection of digital media files bought either directly from artists or ripped from the CD collection I’m building. I usually go for FLAC, though less for its compression and more for its superior metadata support compared to WAVs.

For discovering new music, Bandcamp allows you to check out some songs; otherwise, check it out on YouTube or something and buy it directly from the artist later.

Like others have said, Bandcamp might not have everyone, but they do have a lot of indie artists and even some bigger ones. Some artists that don’t have everything on Bandcamp might have their own store you can buy from.

It for a fact uses CEF: https://www.spotify.com/us/opensource/

Chromium Embedded Framework literally describes itself as follows on its Git repos: “Chromium Embedded Framework (CEF). A simple framework for embedding Chromium-based browsers in other applications.”

The Spotify “app” is mostly just web app code running on top of a single page Chromium instance, meaning for the most part, it isn’t truly native.

While we’re at it, let’s just pull in Chris Pine (multiverse crap) and William Shatner (Nexus crap) and have one of those nutty SNW episodes that sounds like a horrible idea but is surprisingly one of the better episodes that season:

True. I just think it’s a few years too early; armel is dying, but I don’t think it’s 32-bit x86 level dead. I feel like 2030 would have been a better year. If they really found the user base was that small, though, then I guess that’s less for Debian to maintain.

MIPS I get, but armel feels a little weird; I’d wager there’s more production users of Debian on armel than RV64 - not a huge use case, but one that merits a bit more consideration.

I think ~2030 would have been a more realistic date, since most of the last devices with ARMv6 would be about 20 years old by then.

Though I am a Debian fan, I don’t think trying another distro will help too much.

Not necessarily. In the case of this specific GPU, both 12 and 13 support that model quite well. I can’t tell if Trixie supported RDNA4 out of box, but if it doesn’t, I’m sure Backports does just fine.

To be fair, the Kelvin timeline had about 25 years to diverge technologically and aesthetically, considering the USS Kelvin was destroyed in 2233. 25 years is more than enough for the Starfleet design philosophy to completely change - look at the Enterprise C vs the Enterprise D.

The USS Kelvin looks pretty prime - a little fancier because of modern VFX, but not more advanced than the SNW Enterprise. I would chalk down discrepancies to just evolution in production effects; I mean, doesn’t even the NX-01 look more advanced in many ways than the TOS Enterprise? Effects getting anachronistically better in Star Trek is not new, and I don’t think it signifies a “back propagation” of timeline alteration.

Also, I don’t think Kelvin Vulcans are that weird; I think it’s mostly consistent with canon. Spock’s childhood in the film is practically a recap of TAS: Yesteryear, while the Vulcan education system seems consistent with the testing Spock did on himself at the beginning of Star Trek IV. The government and culture feel consistent with most depictions.

Additionally, the idea of infinite multiverses has been canon in Star Trek for a while, heavily suggested with TNG:”Parallels” and outright confirmed in Prodigy and Lower Decks - Wesley even explicitly names the Kelvin timeline as its own parallel universe called “the Narada Incursion” in PRO.

I think the variance in temporal mechanics in the franchise can be chalked up to the different methods in which time travel happens - each method is its own “User Interface” where your actions can affect reality differently. Some of them are more traditional time travel narratives, some are loops, some are parallel universes you can return from, etcetera.

Ultimately, I think the Temporal Prime Directive comes down to what you said; each timeline is its own “world” and it’s just best to leave them alone.

I think the plot of PRO is a perfect example of why the Temporal Prime Directive matters even in less-than-linear mechanics; going to the future can cause the future to alter the past, which causes the past to alter the future again and thus the past in a different way, and so on. Basically, messing with time and realities in any way is a dumpster fire in the making.

They briefly mention one where Tuvix becomes Captain of Voyager A in Prodigy.

If only Apple Music would give Linux users some way to access lossless…

Though honestly, I’m only on Apple Music because my parents pay for it anyway (I’m a college kid), and I’ve already started accumulating a CD/digital audio file collection, which currently covers the first 6 studio albums plus albums 8 and 21 plus 1 B sides compilation, 1 single, half a live album, an album demos compilation, and 1 single.

Although the 256kpbs limitation on the browser isn’t the worst (better than a lot of video streaming services forcing 480p on unapproved devices), it still irks me.

I don’t know why, but I feel cheated that we don’t get an Enterprise J model - what else am I going to use as my weirdly-shaped dinner plate?

Is there an old AARCH64 laptop (sub-$100, preferably closer to $50) that can be picked up for a song for playing around with crap like this?

From what I can tell, there’s a lot of crappy old ARM Chromebooks; I wonder if they perform sufficiently faster than an RPi and work well enough with a Linux distro to mess with them. I do wonder, though, if any Windows-on-ARM ones are old enough to also be cheap used (and not be some sort of Windows RT terror or something).

Actually looking at it, my impression has softened a bit. I think I just was struggling with the perspective.

I like the proportions of the earlier concept better - I like big nacelles.

That… is kind of ugly. It’s unimaginative - feels too much like an airplane or a cheap-as-heck shuttle model. It brings up the worst of late-90s/early 2000s blobject design.

It would definitely feel more at home as background ship, but this is not the design of a hero ship. It doesn’t even have to be the traditional Roddenberry-type design; something looking more like the Dove from Lower Decks would be better than this.