“Tacky Cardassian fascist eyesore!”

By my accounting Pike has four chances to walk away from his fate. Chronologically:

1. The very scene this quote is from in Discovery, where Tenavik gives him the option to take the time crystal or walk away from his bad future. He chooses the former, but to downplay his decision a little it was his personal future versus everyone’s bad Skynet future.
2. Lift Us gives us the Majalans, whose medical tech is a “maybe” for fixing Pike while keeping the timeline intact. Pike walks away (from Omelas) because he can’t abide by how their society works.
3. Quality of Mercy gives us Future Pike and subtle hints that the Romulan War has been going on about 20 years. That plus offloading his suffering to Spock makes Pike stop trying to tinker with the timeline.
4. TOS’ The Menagerie of course, gives us the Talosians, who have mellowed out a bit from their original appearance and offer Pike a mental paradise with Vina, who they’re also helping. Aside from a spot of insubordination on Spock’s part, there’s nothing wrong here so it becomes the good ending of his story.

Basically it’s a story of principles. He won’t let others suffer for his personal comfort, and even tells Spock (via beep chair) not to risk his career for him.

“Vulcans will choose whatever serves them best and insist it is only logical.” ~N’raj, Reunification III

For me the Prodigy and Lower Decks theme songs are among the best in the franchise because they’re versatile. You can have a slow, tender violin motif from the LD theme such as when Tendi was telling Mariner that the Beta shifters were her family at the end of season 2. A slightly different part gets a brassy remix as the swelling Crisis Point theme music for the Cerritos.

Not all Trek melodies do this. Voyager’s got a lovely melody that feels appropriate for a grand trip homeward, but they tried using it at some big plot moments and it just felt wrong. Disco and TNG have the opposite problem where their themes are CONSTANT INTENSITY, so you don’t often see them used in softer moments. (The latter is very weird to me considering we have heard softer variations of the theme, maybe I just can’t think of any such uses in the series offhand).

Look, the man also directed First Contact (the movie, not the episode) and Those Old Scientists, which are generally well received. I think we can begrudge him one ghost-fuckin’ episode.

T’Lyn’s story in Season 5 involves her and another character in an interesting way, and you see T’lyn embrace science and Starfleet more than I think people anticipate.

Until proven otherwise I’ll remain on the Sokel-is-T’Lyn’s-father boat and will assume this to be about him.

Oh, very clever Worf. Eat any good books lately?

Star Trek does this thing where formal rank isn’t actually as important as being in the captain’s in-group. Can you name anything important that provisional Lt. JG Ayala did on the USS Voyager? I sure as hell can’t, but it was less important than Harry “eternal ensign” Kim.

As much as the Lower Decks gang would like to think of themselves as unimportant, they’re very much confidants of the Cerritos’ senior staff so it’s illogical, but consistent for Boimler to be at the top of the list for acting captain when stuff’s going down.

Out of universe it’s obviously a narrative/screen time thing, I’d say you’ve just got to accept it and move on.

Man, the years were far kinder to Tom Paris than Locarno. Guess being a Starfleet burnout is a pretty stressful existence.

Rutherford hanging out with Freeman is presumably setup for the finale, giving us three perspectives without compromising the focus on the main gang. He did feel a little tacked on though.

Dunno why they didn’t bother promoting this episode, it was great. I was initially skeptical that it was just going to be a “Mariner is angsty” episode without much of a payoff, but they finally revealed everything. And they gave Ma’ah screen time doing it!

The confirmation of how the Dominion War scarred Mariner wasn’t much of a surprise, but the tie back to the Lower Decks of old was. What an absolutely crushing reason to lose the optimism in what Starfleet can be. Props to Tawny Newsome for some good voice acting for an emotionally vulnerable moment.

Minor complaint/discontinuity: in this episode Mariner seemed surprised that T’Lyn was present at the fight against the Pakleds and the Klingon BoP in Wej Duj, although I seem to recall T’Lyn explicitly referencing that incident to her in Empathological Fallacies.

Speculation about next week: I’d hazard a guess that Locarno is a thematic version of what Mariner could become if she isn’t careful. He’s a Starfleet ace gone bad, and also Sito’s former friend, so he’s presumably got a lot to sell her on the troublemaker’s life.

God, I typed a lot and didn’t even get to Freeman’s misdirection this episode. It was good, watch it!

I mean if you look at Burnham and Sarek’s relationship in Discovery he did a pretty dang good job beating the human emotion out of her.

Sure, this kinda fucked her up emotionally in a way the series tragically didn’t look into nearly enough after season 1, but you can’t say that his methods never worked.

Tendi’s bit was wholesome, but this was a weaker episode overall IMO. I get what they were going for, the jokes just didn’t really land for me.

A bit worried it’ll have a heavy tonal overlap with Lower Decks and thematic overlap with LD/Prodigy.

That said, I really want Star Trek to move to literally anything other than the TOS/TNG eras, so let’s see where this goes.

A bit of a weird episode in that the protagonists didn’t solve much, the two problems just sort of fizzled out for their own reasons.

Kind of surprised that Peanut Hamper was up for parole-- Memory Alpha doesn’t list a specific stardate for A Mathematically Perfect Redemption but judging by the adjacent years and the stardate AGIMUS listed she’s been in Daystrom for less than two years.

IMO this episode confirms that what we saw last week wasn’t an anomaly, Rutherford’s got it bad for Tendi. It’s kind of weird to have him focusing on her encouragement to the exclusion of Mariner (who was in his immediate vicinity!) otherwise.

No T’Lyn in these shots, here’s hoping we still see her through the rest of the season.

Absolutely looking forward to the triumphant return of AGIMUS!

I can honestly see them pulling the trigger on it at the end of this season. This season’s pretty emphatically pushing the gang past their former status quo-- Mariner has supportive superiors, now what? Boimler is in charge sometimes, now what? Figuring this romance situation out would just be running with the theme of growth and change.

I’m happy either way they end up, although I think Rutherford’s comment about green eyes is telegraphing there’s something there, even if he and Tendi are oblivious to it.

Totally was the Sense-Ores admiral from Moist Vessel. Memory Alpha lists him as Admiral Vassery.

maybe they’re doing the star trek thing of having bad/meh early episodes, just on a more compressed time scale. (yeah it’s subjective, but I certainly liked these ones a lot more than the first ones).

I liked this one, just some wholesome series-to-series love wrapped up in a goofy package. A very Lower Decks feel. The Prodigy erasure continues to be a thing but I don’t think that’s ending anytime soon.

And if heavens forbid this is the last Star Trek thing George Takei does at least it’s on the same fun retrospective note as he had in his Crisis Point II appearance.

Hard to do, sure, but “cannot be done easily” is a far different proposition from “cannot be done.” Unless you want to argue that the multiple transporter clones we have seen are philosophical zombies.