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After all, it’s not your location history. It’s Microsoft’s history of where you’ve been. You never monetised it anyway.
I used to make comics. I know that because strangers would look at my work and immediately share their most excruciatingly banal experiences with me:
— that time a motorised wheelchair cut in front of them in the line at the supermarket;
— when the dentist pulled the wrong tooth and they tried to get a discount;
— eating off an apple and finding half a worm in it;
every anecdote rounded of with a triumphant “You should make a comic about that!”
Then I would take my 300 pages graphic novel out of their hands, both of us knowing full well they weren’t going to buy it, and I’d smile politely, “Yeah, sure. Someday.”
“Don’t try to cheat me out of my royalties when you publish it,” they would guffaw and walk away to grant comics creator status onto their next victim.
Nowadays I make work that feels even more truly like comics to me than that almost twenty years old graphic novel. Collage-y, abstract stuff that breaks all the rules just begging to be broken. Linear narrative is ashes settling in my trails, montage stretched thin and warping in new, interesting directions.
I teach comics techniques at a university level based in my current work. I even make an infrequent podcast talking to other avantgarde artists about their work in the same field.
Still, sometimes at night my subconscious whispers the truth in my ear: Nobody ever insists I turn their inane bullshit nonevents into comics these days, and while I am a happier, more balanced person as a result of that, I guess that means I don’t make comics any longer after all.
After all, it’s not your location history. It’s Microsoft’s history of where you’ve been. You never monetised it anyway.
But probably only the useful content.
There are plenty of good responses here already, but to me the main thing in marketing Trek to new audiences would be stop the frigging nostalgia fest.
Twenty years ago when the BBC relaunched Doctor Who, they played down all the background stuff for most of the first season, only drip feeding lore to the audience.
Star trek needs to learn from that approach to focus on good stories and engaging characters — and to aim outside of the established but dwindling fan group by allowing the almost 60 years of canon to play second violin.
I appreciable the attention to detail that made them add a Doppler effect when the ship flies away 😆
At the same time as I’m completely fine with sound apparently playing in a vacuum, I’m having a nice thing here, okay?
Ah, makes sense!
As in a folder of text files? Because that’s what I’m doing. Syncing across devices with Syncthing and editing/adding files with whatever markdown editor works best in each platform.
I’ve tried LocalSend for this, but I usually end up using more reliable ways like Syncthing (not instantly transfered, but at a decent speed) or sending myself the file on Element for Matrix (as good as instantaneous).
[Gene] Roddenberry created a universe that was utopian in his ideals […] but people need to understand that these things don’t happen without sacrifice.
Yeah, Pike really should have thought of that in The ones who walk away from Omelas Lift us where suffering cannot reach.
Email alternatives I’ve been recommended but not personally tried — please comment if they’re also gone to the dark side somehow:
Yes, and Georgiou is a lovable genocidal tyrant.
For low end dum-dums like me, https://sabre.io/baikal/ is a simpler, but very stable caldav solution. I bet Radicale has more features, but did I mention being low end? 🙂
For a second there I thought you’d genuinely connected all your devices to a service you didn’t know the first thing about 😄
TIL Taildrop is a new(ish?) Tailscale feature that adds airdrop-alike transfer to your tailnet.
Nope, and I bet Mark Cuban isn’t really invested in TikTok either way. It’s just a current talking point pivoted to make him feel relevant.
Oh, I know “Web3 is going just great” already. It is the true ledger of the blockchain hype, and it’s all in the red. Hopefully your link brings it to somebody for the first time.
i loved Michelle Yeoh on Discovery, loathed her character. The closer this gets to release the more I dread the results.
I’m going to hate watch this even more than I do Strange new worlds. I do appreciate fresh takes on the Trek universe, dark or no, but this seems like generic action sci-fi that happens to tie into ST canon. I’ll be happy to be proven wrong when it airs.
I see, I thought the finger was aimed at Nostr and cryptocurrencies. As you describe them they sound like the last hiding places for the worst assholes of the internet, and I feel confirmed in staying far away from everything web3/blockchain.
I don’t disagree with your point, but how do Nostr or Monero play into the article? They aren’t mentioned at all.
Sorry for your loss!
If I may offer my own experience in sympathy — last year my brother passed after a few years of cancer treatment. We grew up as TNG aired, and Trek was always a shared reference.
During his final illness, one effect of his treatment was constipation which he alleviated with… prune juice. Often in the last months he would raise his glass and say, “A warrior’s drink!” It never got tired 😄
On the night he passed away the only meaningful thing that I could think to share on social media was the TNG screenshot of the Klingon death ritual — I’m sure you know the one.
Star Trek may be a utopian sci-fi future, but the shared stories and communities lend meaning to our everyday lives nonetheless — your deep, shared experiences with your grandfather, or my brother putting up his best Klingon warrior face against his illness. We need those optimistic stories to ward off hopelessness, and to remember the good moments by.
In the face of grief and loss — Qapla’!
Nice piece! Might fit even better in [email protected]?
I think we have found the root of the issue. Nothing bothers Musk as much as being told he can’t buy something and slap a childish name on it.